![]() The former allows you to select the gap between frames and move it, with the frames being automatically resized to fit. It’s a great little time-saver we only wish we could use the Content Grabber to scale (using modifier keys as with the Gap tool).Įqually nifty are the Gap tool and a quick way of creating frames grids. Click on it, and brown image borders appear for you to scale or rotate. Grab this and you can drag the image around inside its frame. Using the Selection tool, run the mouse over an image and a semi-transparent doughnut appears in its centre. To make working with images faster, Adobe has introduced the Content Grabber, which makes the Direct Selection tool almost redundant. It’s the simplest tools that make the most difference to the way you work day-to-day. There’s still no quick ‘RGB image’ fix, but there are quite a lot of new creative tools that will appeal as much to print-only designers to those looking at wider media. With the InDesign CS5 version – as with much of the new Creative Suite 5 – there’s a refocus on creativity and efficiency. ![]() Most designers ignored this, enjoying the few new layout tools like Smart Guides and Live Preflight and complaining that there’s no way to automatically convert RGB images to CMYK before output. ![]() With InDesign CS4, Adobe tried to turn graphic designers into all-singing, all-dancing creators of interactive projects – turning print layouts into blinged-out fully animated Flash websites.
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